🎨 Celeste DuMarais Reviews: Artist Loft: Obsession
“A fever dream of creation, voyeurism, and unapologetic clutter.”
Let’s be clear: this is not a studio. It’s a shrine. Artist Loft: Obsession channels the spirit of Picasso’s domestic chaos and turns it into a full-blown dramaturgical set—complete with masked muses, nude silhouettes, and a fireplace that seems to smolder with creative unrest.
The central red figure stands like a sentinel of desire, while the purple painter—mid-stroke, mid-spell—commands the room with theatrical precision. Hastings doesn’t just reference Picasso; he interrogates him. The paintings on the walls aren’t decoration—they’re echoes, obsessions, and possibly confessions. The arched window offers no escape. The easel is both altar and trap.
The Fauvist lineage is alive and well: saturated color, flattened space, emotional maximalism. But this isn’t homage. It’s confrontation. Hastings stages the loft as a psychic landscape—where every brushstroke is a ritual, every nude a memory, and every mask a mirror.
Final verdict: Obsession is not a portrait of the artist. It’s a portrait of the act itself—messy, mythic, and magnificently staged. I left feeling watched, inspired, and slightly concerned for whoever lives there.
—Celeste DuMarais, Senior Critic, Theatrical Bodies Quarterly Currently reorganizing her own studio in shame.
 
This striking composition is inspired by a photograph of Pablo Picasso in his home, capturing the essence of artistic chaos and creative immersion. The space is alive with grand-scale paintings leaning effortlessly against walls, embracing the casual elegance of an artist’s domain. Architectural elements—arched doorways and soaring ceilings—frame the scene, inviting the viewer to step into a world where art is not just displayed but lived within.
Bold colors and layered imagery evoke Picasso’s legacy, while the interplay of depth and perspective creates a narrative that bridges past and present artistic vision. The presence of an easel and figures engaged in the creative process further emphasize the spirit of making, reinforcing the ever-evolving dialogue between artist and environment.
Each person in this image started as a photo taken by Terry, who then, inspired by Henri Matisse's Cut Outs, cut them out with photoshop and then scratched in important details like nipples and genitals.  
 
This magnificent photograph is a true masterpiece of fine art. It showcases the stunning work of
This work is offered as a 24x36, 32x48 or 40x60 inch print. Please inquire about other sizes. 
The work is titled, numbered, a limited edition of 10, and signed by the artist.
 
The photo is shipped in a double tube for safety.
Please allow 5 - 7 days for production and shipping.